The dynasty's history is divided into two periods: during the Northern Song (北宋; 960–1127), the capital was in the northern city of Bianjing (now Kaifeng) and the dynasty controlled most of what is now East China. The Southern Song (南宋; 1127–1279) comprise the period following the loss of control over the northern half of Song territory to the Jurchen-led Jin dynasty in the Jin–Song wars. At that time, the Song court retreated south of the Yangtze and established its capital at Lin'an (now Hangzhou). Although the Song dynasty had lost control of the traditional Chinese heartlands around the Yellow River, the Southern Song Empire contained a large population and productive agricultural land, sustaining a robust economy. In 1234, the Jin dynasty was conquered by the Mongols, who took control of northern China, maintaining uneasy relations with the Southern Song. Möngke Khan, the fourth Great Khan of the Mongol Empire, died in 1259 while besieging the mountain castle Diaoyucheng in Chongqing. His younger brother Kublai Khan was proclaimed the new Great Khan and in 1271 founded the Yuan dynasty. After two decades of sporadic warfare, Kublai Khan's armies conquered the Song dynasty in 1279 after defeating the Southern Song in the Battle of Yamen, and reunited China under the Yuan dynasty. (Full article...)
In his Dream Pool Essays or Dream Torrent Essays (夢溪筆談; Mengxi Bitan) of 1088, Shen was the first to describe the magnetic needle compass, which would be used for navigation (first described in Europe by Alexander Neckam in 1187). Shen discovered the concept of true north in terms of magnetic declination towards the north pole, with experimentation of suspended magnetic needles and "the improved meridian determined by Shen's [astronomical] measurement of the distance between the pole star and true north". This was the decisive step in human history to make compasses more useful for navigation, and may have been a concept unknown in Europe for another four hundred years (evidence of German sundials made circa 1450 show markings similar to Chinese geomancers' compasses in regard to declination). (Full article...)
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Choe Bu (Korean: 최부, 1454–1504) was a Korean diarist, historian, politician, and travel writer during the early Joseon Dynasty. He was most well known for the account of his shipwrecked travels in China from February to July 1488, during the Ming dynasty (1368–1644). He was eventually banished from the Joseon court in 1498 and executed in 1504 during two political purges. However, in 1506 he was exonerated and given posthumous honors by the Joseon court.
Choe's diary accounts of his travels in China became widely printed during the 16th century in both Korea and Japan. Modern historians also refer to his written works, since his travel diary provides a unique outsider's perspective on Chinese culture in the 15th century. The attitudes and opinions expressed in his writing represent in part the standpoints and views of the 15th century Confucian Korean literati, who viewed Chinese culture as compatible with and similar to their own. His description of cities, people, customs, cuisines, and maritime commerce along China's Grand Canal provides insight into the daily life of China and how it differed between northern and southern China during the 15th century. (Full article...)
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Publicity photo of Anna May Wong from Stars of the Photoplay, 1930
Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress, considered the first Chinese American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned silent film, sound film, television, stage, and radio.
Born in Los Angeles to second-generation Taishanese Chinese American parents, Wong became engrossed with films and decided at the age of 11 that she would become an actress. Her first role was as an extra in the movie The Red Lantern (1919). During the silent film era, she acted in The Toll of the Sea (1922), one of the first films made in color, and in Douglas Fairbanks' The Thief of Bagdad (1924). Wong became a fashion icon and had achieved international stardom in 1924. Wong had been one of the first to embrace the flapper look. In 1934, the Mayfair Mannequin Society of New York voted her the "world's best dressed woman." In the 1920s and 1930s, Wong was acclaimed as one of the top fashion icons. (Full article...)
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The empire in 661, when it reached its greatest extent
The Li family founded the dynasty after taking advantage of a period of Sui decline and precipitating their final collapse, in turn inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The An Lushan rebellion (755–763) led to devastation and the decline of central authority during the latter half of the dynasty. Like the previous Sui dynasty, the Tang maintained a civil-service system by recruiting scholar-officials through standardised examinations and recommendations to office. The rise of regional military governors known as jiedushi during the 9th century undermined this civil order. The dynasty and central government went into decline by the latter half of the 9th century; agrarian rebellions resulted in mass population loss and displacement, widespread poverty, and further government dysfunction that ultimately ended the dynasty in 907. (Full article...)
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Jin dynasty (blue) and Song dynasty (orange) in 1141
The Jin–Song Wars were a series of conflicts between the Jurchen-led Jin dynasty (1115–1234) and the Han-led Song dynasty (960–1279). In 1115, Jurchen tribes rebelled against their overlords, the Khitan-led Liao dynasty (916–1125), and declared the formation of the Jin. Allying with the Song against their common enemy the Liao dynasty, the Jin promised to cede to the Song the Sixteen Prefectures that had fallen under Liao control since 938. The Song agreed but the Jin's quick defeat of the Liao combined with Song military failures made the Jin reluctant to cede territory. After a series of negotiations that embittered both sides, the Jurchens attacked the Song in 1125, dispatching one army to Taiyuan and the other to Bianjing (modern Kaifeng), the Song capital.
Surprised by news of an invasion, Song general Tong Guan retreated from Taiyuan, which was besieged and later captured. As the second Jin army approached the capital, Song emperor Huizong abdicated and fled south. Qinzong, his eldest son, was enthroned. The Jin dynasty laid siege to Kaifeng in 1126, but Qinzong negotiated their retreat from the capital by agreeing to a large annual indemnity. Qinzong reneged on the deal and ordered Song forces to defend the prefectures instead of fortifying the capital. The Jin resumed war and again besieged Kaifeng in 1127. They captured Qinzong, many members of the imperial family and high officials of the Song imperial court in an event known as the Jingkang Incident. This separated north and south China between Jin and Song. Remnants of the Song imperial family retreated to southern China and, after brief stays in several temporary capitals, eventually relocated to Lin'an (modern Hangzhou). The retreat divided the dynasty into two distinct periods, Northern Song and Southern Song. (Full article...)
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A Western Han painted ceramic jar with raised reliefs of dragons, phoenixes, and taotie designs The Han dynasty (202 BC – 220 AD) was the second imperial dynasty of China, following the Qin dynasty (221–207 BC). It was divided into the periods of Western (Former) Han (202 BC – 9 AD) and Eastern (Later) Han (25–220 AD), briefly interrupted by the Xin dynasty (9–23 AD) of Wang Mang. The capital of Western Han was Chang'an, and the capital of Eastern Han was Luoyang. The emperor headed the government, promulgating all written laws, serving as commander-in-chief of the armed forces, and presiding as the chief executive official. He appointed all government officials who earned a salary of 600 bushels of grain or more (though these salaries were largely paid in coin cash) with the help of advisors who reviewed each nominee. The empress dowager could either be the emperor's actual or symbolic mother, and was in practice more respected than the emperor, as she could override his decisions; she can even make decisions on behalf of the emperor in dilemma matters of the country or for the order and continuation of the dynasty, even if necessary, with the support of the courtiers, she would decide on his successor or his dismissal. Although such a challenge was raised by the empress dowager to the emperor during the emperor's youth or incapacity. The emperor's executive powers could also be practiced by any official upon whom he bestowed the Staff of Authority. These powers included the right to execute criminals without the imperial court's permission.
From 1643 to 1650, political power lay mostly in the hands of the prince regent Dorgon. Under his leadership, the Qing conquered most of the territory of the fallen Ming dynasty, chased Ming loyalist regimes deep into the southwestern provinces, and established the basis of Qing rule over China proper despite highly unpopular policies such as the "hair cutting command" of 1645, which forced all Qing male subjects to shave their forehead and braid their remaining hair into a queue resembling that of the Manchus. After Dorgon's death on the last day of 1650, the young Shunzhi Emperor started to rule personally. He tried, with mixed success, to fight corruption and to reduce the political influence of the Manchu nobility. In the 1650s, he faced a resurgence of Ming loyalist resistance, but by 1661 his armies had defeated the Qing's last enemies, Koxinga and the Prince of Gui, both of whom would succumb the following year. (Full article...)
Sino-Roman relations comprised the (primarily indirect) contacts and flows of trade goods, information, and occasional travelers between the Roman Empire and the Han dynasty, as well as between the later Eastern Roman Empire and various successive Chinese dynasties that followed. These empires inched progressively closer to each other in the course of the Roman expansion into ancient Western Asia and of the simultaneous Han military incursionsinto Central Asia. Mutual awareness remained low, and firm knowledge about each other was limited. Surviving records document only a few attempts at direct contact. Intermediate empires such as the Parthians and Kushans, seeking to maintain control over the lucrative silk trade, inhibited direct contact between the two ancient Eurasian powers. In 97 AD, the Chinese general Ban Chao tried to send his envoy Gan Ying to Rome, but Parthians dissuaded Gan from venturing beyond the Persian Gulf. Ancient Chinese historians recorded several alleged Roman emissaries to China. The first one on record, supposedly either from the Roman emperor Antoninus Pius or from his adopted son Marcus Aurelius, arrived in 166 AD. Others are recorded as arriving in 226 and 284 AD, followed by a long hiatus until the first recorded Byzantine embassy in 643 AD.
The indirect exchange of goods on land along the Silk Road and sea routes involved (for example) Chinese silk, Roman glassware and high-quality cloth. Roman coins minted from the 1st century AD onwards have been found in China, as well as a coin of Maximian (Roman emperor from 286 to 305 AD) and medallions from the reigns of Antoninus Pius (r. 138–161 AD) and Marcus Aurelius (r. 161–180 AD) in Jiaozhi (in present-day Vietnam), the same region at which Chinese sources claim the Romans first landed. Roman glassware and silverware have been discovered at Chinese archaeological sites dated to the Han period (202 BC to 220 AD). Roman coins and glass beads have also been found in the Japanese archipelago. (Full article...)
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The Sakyamuni Buddha, by Song painter Zhang Shengwen, c. AD 1181–1186; although Buddhism was in decline and under attack by Neo-Confucian critics in the Song era, it nonetheless remained one of the major religious ideologies in China.
Chinese society during the Song dynasty (AD 960–1279) was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of trade, industry, and maritime commerce. The inhabitants of rural areas were mostly farmers, although some were also hunters, fishers, or government employees working in mines or the salt marshes. Conversely, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. As landholders and drafted government officials, the gentry considered themselves the leading members of society; gaining their cooperation and employment was essential for the county or provincial bureaucrat overburdened with official duties. In many ways, scholar-officials of the Song period differed from the more aristocratic scholar-officials of the Tang dynasty (618–907). Civil service examinations became the primary means of appointment to an official post as competitors vying for official degrees dramatically increased. Frequent disagreements amongst ministers of state on ideological and policy issues led to political strife and the rise of political factions. This undermined the marriage strategies of the professional elite, which broke apart as a social group and gave way to a multitude of families that provided sons for civil service.
Confucian or Legalist scholars in ancient China—perhaps as far back as the late Zhou dynasty (c. 1046–256 BC)—categorized all socioeconomic groups into four broad and hierarchical occupations (in descending order): the shi (scholars, or gentry), the nong (peasant farmers), the gong (artisans and craftsmen), and the shang (merchants). Wealthy landholders and officials possessed the resources to better prepare their sons for the civil service examinations, yet they were often rivaled in their power and wealth by merchants of the Song period. Merchants frequently colluded commercially and politically with officials, despite the fact that scholar-officials looked down on mercantile vocations as less respectable pursuits than farming or craftsmanship. The military also provided a means for advancement in Song society for those who became officers, even though soldiers were not highly respected members of society. Although certain domestic and familial duties were expected of women in Song society, they nonetheless enjoyed a wide range of social and legal rights in an otherwise patriarchal society. Women's improved rights to property came gradually with the increasing value of dowries offered by brides' families. (Full article...)
The Ming dynasty's founder, the Hongwu Emperor (r. 1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the navy's dockyards in Nanjing were the largest in the world. He also took great care breaking the power of the court eunuchs and unrelated magnates, enfeoffing his many sons throughout China and attempting to guide these princes through the Huang-Ming Zuxun, a set of published dynastic instructions. This failed when his teenage successor, the Jianwen Emperor, attempted to curtail his uncle's power, prompting the Jingnan campaign, an uprising that placed the Prince of Yan upon the throne as the Yongle Emperor in 1402. The Yongle Emperor established Yan as a secondary capital and renamed it Beijing, constructed the Forbidden City, and restored the Grand Canal and the primacy of the imperial examinations in official appointments. He rewarded his eunuch supporters and employed them as a counterweight against the Confucian scholar-bureaucrats. One eunuch, Zheng He, led seven enormous voyages of exploration into the Indian Ocean as far as Arabia and the eastern coasts of Africa. Hongwu and Yongle emperors had also expanded the empire's rule into Inner Asia. (Full article...)
Both in its lyrics and instruments, the song mixes traditional Chinese styles with modern rock elements. In the lyrics, the speaker addresses a girl who is scorning him because he has nothing. However, the song has also been interpreted as being about the dispossessed youth of the time, because it evokes a sense of disillusionment and lack of individual freedom that was common among the young generation during the 1980s. (Full article...)
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Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
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Rioters besieging a bus in Tianshan, Ürümqi, attacking escaping Han passengers with sticks.
A series of violent riots over several days broke out on 5 July 2009 in Ürümqi, the capital city of the Xinjiang Uyghur Autonomous Region (XUAR), in northwestern China. The first day's rioting, which involved at least 1,000 Uyghurs, began as a protest, but escalated into violent attacks that mainly targeted Han people. According to Chinese state media, a total of 197 people died, most of whom were Han people or non-Muslim minorities, with 1,721 others injured and many vehicles and buildings destroyed. Many Uyghurs disappeared during wide-scale police sweeps in the days following the riots; Human Rights Watch (HRW) documented 43 cases and said figures for real disappearances were likely to be much higher.
Rioting began following the Shaoguan incident, where false accusations of rape of a Han woman by Uyghur men led to a brawl between ethnic Han and Uyghur factory workers in Shaoguan, resulting in the deaths of two Uyghurs who were both from Xinjiang. The Chinese government claimed that the riots were planned from abroad by the World Uyghur Congress (WUC) and its leader Rebiya Kadeer. Kadeer denies fomenting the violence in her fight for Uyghur self-determination. (Full article...)
... that Tarcisio Martina, the representative of the Holy See in China, was sentenced to life imprisonment in 1951 over a plot to assassinate Mao Zedong?
... that Lài dogs were instrumental in the Vietnamese Lam Sơn uprising against Ming China in 1418–1428?
...that the Tai chi classics are manuscripts and commentaries that are used as standards for the correct study and practice of the art of tai chi chuan?
...that after endangering himself to control the imperial horse, Qi Ying was made an imperial attendant by Emperor Dezong of Tang?
Cantonese or Guangdong cuisine, also known as Yue cuisine (Chinese: 廣東菜 or 粵菜), is the cuisine of Guangdong province of China, particularly the provincial capital Guangzhou, and the surrounding regions in the Pearl River Delta including Hong Kong and Macau. Strictly speaking, Cantonese cuisine is the cuisine of Guangzhou or of Cantonese speakers, but it often includes the cooking styles of all the speakers of Yue Chinese languages in Guangdong.
The Teochew cuisine and Hakka cuisine of Guangdong are considered their own styles. However, scholars may categorize Guangdong cuisine into three major groups based on the region's dialect: Cantonese, Hakka and Chaozhou cuisines. Neighboring Guangxi's cuisine is also considered separate despite eastern Guangxi being considered culturally Cantonese due to the presence of ethnic Zhuang influences in the rest of the province. (Full article...)
The tiger (Panthera tigris) is a large cat and a member of the genus Panthera native to Asia. It has a powerful, muscular body with a large head and paws, a long tail and orange fur with black, mostly vertical stripes. It is traditionally classified into nine recentsubspecies, though some recognise only two subspecies, mainland Asian tigers and the island tigers of the Sunda Islands.
The United States Army Observation Group (Chinese: 美軍觀察組; pinyin: Měijūn Guānchá Zǔ), commonly known as the Dixie Mission (Chinese: 迪克西使團; pinyin: Díkèxī Shǐtuán), was the first US effort to gather intelligence and establish relations with the Chinese Communist Party and the People's Liberation Army, then headquartered in the mountainous city of Yan'an, Shaanxi. The mission was launched on 22 July 1944, during World War II, and lasted until 11 March 1947.
The goals of the mission were to investigate the Communists politically and militarily and to determine if the US would benefit from establishing liaison. Communist local governments had cooperated in rescuing American pilots downed in North China after bombing Japan, and the invasion of Japan might still have been launched from China, which would have involved landing American troops in China. John S. Service, of the US Department of State, was responsible for political analysis, and Colonel David D. Barrett, of the US Army, performed the military analysis. Initially, they reported that the Chinese Communists might be a useful wartime and postwar ally and that the atmosphere in Yan'an was more energetic and less corrupt than in Nationalist-held areas. After the war, the Dixie Mission's reports and Service and Barrett were condemned by pro-Kuomintang factions in the American government. After the war, in the debate over the "loss of China", many put the blame on wartime China Hands. Service was fired from the State Department, and Barrett was denied a promotion to brigadier general. (Full article...)
During the Great Leap Forward, Pan sympathized with Marshal Peng Dehuai, a critic of Mao Zedong's collectivization policy. As a result, in 1958, he was dismissed as party chief of Henan and subjected to persecution, but was later rehabilitated. (Full article...)
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Sheng nü (Chinese: 剩女; pinyin: shèngnǚ), translated as 'leftover women' or 'leftover ladies', are women who remain unmarried in their late twenties and beyond in China. The term was popularized by the All-China Women's Federation. Most prominently used in China, the term has also been used colloquially to refer to women in India, North America, Europe, and other parts of Asia. The term compares unmarried women to leftover food and has gone on to become widely used in the mainstream media and has been the subject of several television series, magazine and newspaper articles, and book publications, focusing on the negative connotations and positive reclamation of the term. While initially backed and disseminated by pro-government media in 2007, the term eventually came under criticism from government-published newspapers two years later. Xu Xiaomin of The China Daily described the sheng nus as "a social force to be reckoned with" and others have argued the term should be taken as a positive to mean "successful women". The slang term, 3S or 3S Women, meaning "single, seventies (1970s), and stuck" has also been used in place of sheng nu.
The equivalent term for men, guang gun 'bare branches' is used to refer to men who do not marry and thus do not add 'branches' to the family tree. Similarly, shengnan (剩男) 'leftover men' has also been used. Scholars have noted that this term is not as commonly used as "leftover women" in Chinese society and that single males reaching a certain age will often be labeled as either 'golden bachelors' (黄金单身汉) or 'diamond single men' (钻石王老五). (Full article...)
Released in cinemas on 9 February 2002, the film earned over S$3.8 million, becoming the second-highest grossing Singaporean film. Its satirical take on the Singaporean education system and social attitudes in Singapore sparked public discussions and parliamentary debates that led to reforms in the education system. (Full article...)
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Hu Die in the 1930s
Hu Die (Chinese: 胡蝶; Wade–Giles: Hu Tieh; 1907–08 — April 23, 1989), also known by her English name Butterfly Wu, was a popular Chinese actress during the 1920s and 1930s. She was voted China's first "Movie Queen" in 1933, and won the Best Actress Award at the 1960 Asian Film Festival for her performance in Rear Door. (Full article...)
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Traditional reconstruction of the Peking Man skull
Peking Man (Homo erectus pekinensis) is a subspecies of H. erectus which inhabited the Zhoukoudian cave site in modern northern China during the Chibanian. The first fossil, a tooth, was discovered in 1921, and the Zhoukoudian cave has since then become the most productive H. erectus site in the world. Peking Man was instrumental in the foundation of Chinese anthropology, and fostered an important dialogue between Western and Eastern science for decades. The fossils became the centre of anthropological discussion, and were classified as a direct human ancestor, propping up the Out of Asia hypothesis that humans evolved in Asia.
Peking Man also played a vital role in the restructuring of the Chinese identity following the Chinese Communist Revolution, and was intensively communicated to working class and peasant communities to introduce them to Marxism and science. Early models of Peking Man society strongly leaned towards communist or nationalist ideals, leading to discussions on primitive communism and polygenism. This produced a strong schism between Western and Eastern interpretations, especially as the West adopted the Out of Africa hypothesis by late 1967, and Peking Man's role in human evolution diminished as merely an offshoot of the human line. Though Out of Africa is now the consensus, Peking Man interbreeding with human ancestors is frequently discussed especially in Chinese circles. (Full article...)
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Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà); is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907), and overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contemporary Chinese ink wash paintings are the pluralistic continuation of multiple historical traditions.
In China, Japan and, to a lesser extent, Korea, ink wash painting formed a distinct stylistic tradition with a different set of artists working in it than from those in other types of painting. In China especially it was a gentlemanly occupation associated with poetry and calligraphy. It was often produced by the scholar-official or literati class, ideally illustrating their own poetry and producing the paintings as gifts for friends or patrons, rather than painting for payment. (Full article...)
Fu (Chinese: 賦), often translated "rhapsody" or "poetic exposition", is a form of Chinese rhymed prose that was the dominant literary form in China during the Han dynasty (206 BC – AD220). Fu are intermediary pieces between poetry and prose in which a place, object, feeling, or other subject is described and rhapsodized in exhaustive detail and from as many angles as possible. They were not sung like songs, but were recited or chanted. The distinguishing characteristics of fu include alternating rhyme and prose, varying line lengths, close alliteration, onomatopoeia, loose parallelism, and extensive cataloging of their topics. Classical fu composers tended to use as wide a vocabulary as possible in their compositions, and therefore fu often contain rare and archaic Chinese words and characters.
The fu genre came into being around the 3rd to 2nd centuries BC and continued to be regularly used into the Song dynasty (960–1279). Fu were used as grand praises for the imperial courts, palaces, and cities, but were also used to write "fu on things", in which any place, object, or feeling was rhapsodized in exhaustive detail. The largest collections of historical fu are the Selections of Refined Literature (Wen xuan), the Book of Han, New Songs from the Jade Terrace, and official dynastic histories. (Full article...)
Foreign nationals may naturalize if they are permanent residents in any part of China or they have immediate family members who are Chinese citizens. Residents of the Taiwan Area are also considered Chinese citizens, due to the PRC's extant claim over areas controlled by the Republic of China (ROC). (Full article...)
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Chinese dead on the approaches to the Hook, late July 1953
During the action, the PVA attempted to make a breakthrough to the Imjin River along the divisional boundary between the US 1st Marine Division and the 1st Commonwealth Division to turn the 1st Marine Division's flank. Yet with well-coordinated indirect fire from the divisional artillery, including the 16th Field Regiment, Royal New Zealand Artillery, and support from British Centurion tanks of the 1st Royal Tank Regiment, 2 RAR successfully thwarted both assaults, holding the Hook. UN sources estimated PVA casualties at 2,000 to 3,000 killed, with the majority of them inflicted by the New Zealand gunners. Meanwhile, on the left flank, US Marines endured the brunt of the attack, repelling the PVA onslaught with infantry and artillery. Only a few hours later, the armistice agreement was signed, ultimately ending the war. Both sides subsequently withdrew 2 kilometres (1.2 mi) within 72 hours to create the 4-kilometre (2.5 mi) Korean Demilitarised Zone. (Full article...)
The immediate UN objective was Triangle Hill (), a forested ridge of high ground 2 kilometers (1.2 mi) north of Gimhwa-eup. The hill was occupied by the veterans of the PVA's 15th Corps. Over the course of nearly a month, substantial US and Republic of Korea Army (ROK) forces made repeated attempts to capture Triangle Hill and the adjacent Sniper Ridge. Despite clear superiority in artillery and aircraft, the escalating UN casualties resulted in the attack being halted after 42 days of fighting, with PVA forces regaining their original positions. (Full article...)
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Map of Belitung Island showing the Belitung shipwreck marked with a red cross (2°45′00"S, 107°35′36"E) The Belitung shipwreck (also called the Tang shipwreck or Batu Hitam shipwreck) is the wreck of an Arabian dhow that sank around 830 AD. The ship completed its outward journey from Arabia to China but sank on the return voyage from China, approximately 1.6 kilometres (1 mi) off the coast of Belitung Island, Indonesia. The reason the ship was south of the typical trade route when it sank remains unclear. Belitung lies southeast of the Singapore Strait, approximately 610 kilometres (380 mi) away, a secondary route that was more common for ships traveling between China and the Java Sea, which is south of Belitung Island.
The wreck has provided archaeologists with two major discoveries: the largest single collection of Tang dynasty artifacts found outside China, known as the "Tang Treasure," and the Arabian dhow itself, which offers new insights into the trade routes between China and the Middle East during that period. The treasure has been preserved as one collection, and efforts during excavation to maintain the integrity of the site and its cargo have produced detailed archaeological evidence. This evidence has provided new knowledge of the shipbuilding techniques of the time, as well as insights into the nature and style of the traded artifacts, shedding light on the trade between these two regions. (Full article...)
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Castorocauda is an extinct, semi-aquatic, superficially otter-like genus of docodontmammaliaforms with one species, C. lutrasimilis. It is part of the Yanliao Biota, found in the Daohugou Beds of Inner Mongolia, China dating to the Middle to LateJurassic. It was part of an explosive Middle Jurassicradiation of Mammaliaformes moving into diverse habitats and niches. Its discovery in 2006, along with the discovery of other unusual mammaliaforms, disproves the previous hypothesis of Mammaliaformes remaining evolutionarily stagnant until the extinction of the non-avian dinosaurs.
Weighing an estimated 500–800 g (1.1–1.8 lb), Castorocauda is the largest known Jurassic mammaliaform. It is the earliest known mammaliaform with aquatic adaptations or a fur pelt. It was also adapted for digging, and its teeth are similar to those of seals and Eocene whales, collectively suggesting it behaved similarly to the modern-day platypus and river otters and ate primarily fish. It lived in a wet, seasonal, cool temperate environment – which possibly had an average temperature not exceeding 15 °C (59 °F) – alongside salamanders, pterosaurs, birdlike dinosaurs, and other mammaliaforms. (Full article...)
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Lum You
Lum You (c. 1861 – January 31, 1902)—sometimes spelled Lum Yu—was an immigrant Chinese laborer and convicted murderer in the Pacific Northwest. He is famous for being the only person to have been legally executed in Pacific County, Washington, and for his death rowprison break supposedly arranged by the very jailers charged with his captivity. (Full article...)
Image 25Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 45Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 60Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 61Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 62Jichang Garden in Wuxi (1506–1521), built during the Ming dynasty, is an exemplary work of South Chinese style garden. (from Chinese culture)
Image 63Official map of the Qing Empire published in 1905 (from History of China)
Image 64Dragon Tea Pot, Republic of China (from Chinese culture)
The People's Republic of China revises its regulations for foreign investors in its listed companies, seeking to attract more such investment by expanding eligibility criteria and easing financial requirements. (CNBC)
This is a list of recognized content, updated weekly by JL-Bot (talk·contribs) (typically on Saturdays). There is no need to edit the list yourself. If an article is missing from the list, make sure it is tagged (e.g. {{WikiProject China}}) or categorized correctly and wait for the next update. See WP:RECOG for configuration options.
National Emblem of the Republic of ChinaTsai Ing-wen
The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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